Last time I discussed the flat spots in the curvature. Control point by control point I went through the chine. The curvature tool and ability to move the view into any perspective helps here. After a few hours things are much better. First the dory using the curvature tool again.
The curvature is much more uniform along the length of each chine.
Here's an idea of what the hull looks like, with some color this time.
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